While I was drawing my first ever camera ready art for UK ’81 in 1980, I excitedly carried on with thumbnails for the next underground issue. These "thumbnails" were very detailed pencils (crosshatching and all), fully lettered, in 8.5 X 11 sketchbooks. The closest approximation of what these thumbnails looked like is the intentionally slapdash jam I did with Steve Willis (Ultra Morty, published in UK #12, example below) but they were even tighter and better rendered than that. More like the Father and Son goofy drawing surviving from 1983 to the right of it as far as an example of detail.
I was inexperienced and didn’t realize how much effort I was wasting on detailed thumbnails like this. I would later learn to just do gesture drawings, two pages to a sheet, while typing the script. I did all of Habitrails, Father and Son, and Colonia that way (example below).
Anyhow, the entire underground #2 was drawn in that detailed form in 1980. I even started to prepare camera ready art for it in 1981. I completed 12 pages of that before stopping due to frustration over UK 81 not setting the world on fire. Sadly, in 1997, I threw away all four sketchbooks full of these thumbnails, scripts, notes, master plans, etc. from 1979-1984 (the period between UK ’81 and the first 1984 UK&OT zine), as well as the camera ready art. One of my greater regrets in life. If I still had them, I could present the Underground UK #2 as conceived but never published. I can still do this from memory, to both redeem my chucking it all out and to amuse the few souls who may find it of interest. Here goes:
I did some engraved red and blue signed and numbered prints in 1980 entitled Ultra Klutz #2, as I knew it was the image I wanted to use on the cover. It is supposed to represent Sam leaving Klutzoid to return to Earth. This little image was reproduced in UK #31, otherwise they are all sold and I have no copies. If anyone out there happens to have one of these color prints and would like to send me a scan it would be cool to post it here.
Pilot vs. Crowquill was the name of a page I did in 1981 that explained how the Pilot razor point felt pen I used on UK ’81 was inferior to the traditional crow quill pen that I was going to use on the never realized underground UK #2. It was not published until Klutz-fan (the late) Chuck Bunker ran it in Geriatricman Annual #1 (Chuckles Productions, 1987). I lost any copy of that art or publication decades ago, so a big thanks to Geoffrey Hamerlinck who connected with me and provided this scan. I could picture about half of this is my mind's eye, but completely forgot it had a long-haired prototype of Chris from Father & Son in it. So strange and fun to see something you created but had not seen for decades. |
I've approximated this little three page story via a mash-up from the latter Onward Comics #5 version, by ommiting Chaoz and Ordain, plotlines around the planet Rust, and Argoll was not introduced yet. It was a quick, silly little story to facilitate getting him off of Klutzoid and back to Earth. The original camera ready art is long lost with no copies. |
THE RADIOACTIVE CAN
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THE AERIAL DERELICT
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ANOTHER REGULAR MONSTER?
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KENJI GETS BUSTED
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INSIDE BACK COVER
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So there you have it. The underground Ultra Klutz #2 as it never was. I'm not glad I threw away the original materials, but I am glad UK '81 did not sell well. If it did, and I kept pumping out comix in this style, it would have curtailed all the development that made it a better series a few years later. |
UNDERGROUND ULTRA KLUTZ #3, AND BEYOND...
In addition to these detailed thumbnails, the sketchbooks were loaded with story ideas and doodles that would become the fuel for UK #14, #16, #25, #26, all the way to #31, or Ultra Klutz Dreams, or were completely discarded: AN ULTRA KLUTZ ROMANCE (finally introducing Fiji and Tana) LOST IN SPACE PARODY GOOD OLD JOE HAS GOT TO GO DOUBLE TROUBLE THE FWEE BEAST THE RETURN OF CHIB ZONE SYNDROME THE HALUCISNAKE THE ETERNAL RIP-OFF (introduces the Klutzian/Rustic/Human/Alpha Centauri related races) THE DEATH OF ULTRA KLUTZ (this story bears no resemblance to the Lost Laughter story of the same name) |